단어 ... Folksong that became popular during the social movements of the 50s ...Folksong that became popular during the social movements of the 50s and 60s. Also known as Bahamian Lullaby. "All my trials, Lord, Soon be over." Lead vocal & choir in a gospel spirit. Organ @ 0'55. Percussion & ebow guitar @ 1'23. Instrumental tr-27.
All my trials Lord, Soon be over
Verse 1 I had a little book, it was given to me And on every page, selles Liberty All my trials Lord Soon be over
Verse 2 If religion was a thing that money could buy The rich would live, and the poor would die All my trials Lord Soon be over
Bridge Too late my brothers, too late But never mind. All my trials Lord. Soon be over
Verse 3 If Malcolm and Martin were living today They’d look around, what would they say All my trials Lord Soon be over
Bridge Too late my brothers too late But never mind All my trials Lord Soon be over All my trials Lord Soon be over
Traditional arranged by Manuel Galvin & Jean-Jacques Milteau
Messe pour double Chœur à ...Messe pour double Chœur à cappella [CLA3003 - 7]
0
4'44
Frank Martin
I. Kyrie. Mixed choir. Medieval in inspiration, with long melismas, ...I. Kyrie. Mixed choir. Medieval in inspiration, with long melismas, passing from choir to choir, reminiscent of plainsong and note-holding reminiscent of the medieval drone.
Messe pour double Chœur à ...Messe pour double Chœur à cappella [CLA3003 - 8]
0
5'08
Frank Martin
II. Gloria. Mixed choir. The Quoniam tu solus Sanctus and the Cum ...II. Gloria. Mixed choir. The Quoniam tu solus Sanctus and the Cum Sancto Spiritu are richly polyphonic, with reminiscences of Johann Sebastian Bach, whom Martin greatly admired.
Messe pour double Chœur à ...Messe pour double Chœur à cappella [CLA3003 - 9]
0
6'00
Frank Martin
III. Credo. Mixed choir. Intonation sung by the whole choir. ...III. Credo. Mixed choir. Intonation sung by the whole choir. Homophonic credo, highlighting the text.
Messe pour double Chœur à ...Messe pour double Chœur à cappella [CLA3003 - 10]
0
4'12
Frank Martin
IV. Sanctus. Mixed choir. Male voices ostinato, then undulating and ...IV. Sanctus. Mixed choir. Male voices ostinato, then undulating and independent voices of the sopranos of both choirs.
Messe pour double Chœur à ...Messe pour double Chœur à cappella [CLA3003 - 11]
0
4'29
Frank Martin
V. Agnus Dei. Mixed choir. Part composed four and a half years later ...V. Agnus Dei. Mixed choir. Part composed four and a half years later than the rest of the work. Use of the text of the mass in rehearsal.
