앨범 | 제목 | 대체 . | 소요시간 | 작곡가/아티스트 | 설명 | 키워드 | Key | BPM |
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Clockpulse [UBM2274 - 1] |
0 | 2'32 | Felix Halbe | Time is running and the tension increases. | 의문 시간(똑딱) 중단된 FX 틱톡 ... | Cm | 87 |
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Shades of Investigation [UBM2274 - 2] |
1 | 2'03 | Sebastian Parche | The investigations are going on. Ideal for crime and thriller. | 중단된 방랑 과학 대기 ... | Fm | 134 |
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Shades of Investigation 2 [UBM2274 - 21] |
0 | 1'52 | Sebastian Parche | The investigations are going on. Ideal for crime and thriller. | 중단된 탐정 영화 과학 대기 ... | Fm | 134 |
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Things Change [UBM2274 - 3] |
1 | 2'03 | Felix Halbe | Metronom and synthesizer create a pensive, thrilling sound. At the ... | 서스펜스 탐정 영화 시간(똑딱) FX 틱톡 ... | Ebm | 80 |
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Things Change 2 [UBM2274 - 22] |
0 | 2'03 | Felix Halbe | Metronom and synthesizer create a pensive, thrilling sound. At the ... | 서스펜스 수사 시간(똑딱) 탐정 영화 ... | Ebm | 80 |
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Ruthless Reality [UBM2274 - 4] |
1 | 1'45 | Sebastian Parche | Electronic track that provides tension and danger. | 차가운 사막 부수 음악 대기 끊임없는 ... | Dbm | 92 |
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Ruthless Reality 2 [UBM2274 - 23] |
0 | 1'42 | Sebastian Parche | Electronic track that provides tension and danger. | 차가운 사막 부수 음악 대기 끊임없는 ... | Dbm | 92 |
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Cartel [UBM2274 - 5] |
1 | 2'07 | Felix Halbe | Strictly tapped track which can be looped into sequences, ticking ... | 시간(똑딱) 중단된 탐정 영화 완고한 ... | Gm | 90 |
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Cartel 2 [UBM2274 - 24] |
0 | 1'47 | Felix Halbe | Strictly tapped track which can be looped into sequences, ticking ... | 시간(똑딱) 중단된 탐정 영화 완고한 ... | Gm | 90 |
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Observing Thieves at Work [UBM2274 - 6] |
1 | 2'00 | Felix Halbe | Suitable for scenes of thieves in action. Electronics, synthesizer, ... | 서스펜스 의문 시간(똑딱) 중단된 ... | Db | 80 |
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Observing Thieves at Work 2 [UBM2274 - 25] |
0 | 1'48 | Felix Halbe | Suitable for scenes of thieves in action. Electronics, synthesizer, ... | 탐정 영화 의문 시간(똑딱) 중단된 ... | Cm | 80 |
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Rise of Fundamentalism [UBM2274 - 7] |
1 | 2'09 | Felix Halbe | Ideal for action scenes in the Middle East. Traditional instruments ... | 염탐 시간(똑딱) 고통 받는 중단된 ... | Cm | 143 |
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Rise of Fundamentalism 2 [UBM2274 - 26] |
0 | 1'55 | Felix Halbe | Ideal for action scenes in the Middle East. Traditional instruments ... | 무력 충돌 염탐 우려 시간(똑딱) ... | C | 106 |
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Rolling Hope [UBM2274 - 8] |
1 | 1'54 | Sebastian Parche | Positive track, suitable for a happy ending as well as images of a ... | 시간(똑딱) 차가운 사막 대기 FX 틱톡 ... | Gm | 80 |
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Rolling Hope 2 [UBM2274 - 27] |
0 | 1'52 | Sebastian Parche | Positive track, suitable for a happy ending as well as images of a ... | 시간(똑딱) 차가운 사막 대기 FX 틱톡 ... | Gm | 80 |
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X-Files [UBM2274 - 9] |
2 | 3'00 | Felix Halbe | Impulsive, oppressive sound that boosts the tension. Keyboard, drums, ... | 서스펜스 탐정 영화 우려 수사 ... | Cm | 100 |
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X-Files 2 [UBM2274 - 28] |
0 | 2'43 | Felix Halbe | Impulsive, oppressive sound that boosts the tension. Keyboard, drums, ... | 탐정 영화 서스펜스 독성 대기 중 ... | Cm | 100 |
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X-Files 3 [UBM2274 - 29] |
0 | 2'19 | Felix Halbe | Impulsive, oppressive sound that boosts the tension. Keyboard, drums, ... | 염탐 우려 서스펜스 대기 중 ... | C | 100 |
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Time Has Come [UBM2274 - 10] |
1 | 2'12 | Sebastian Parche | Ideal for key scenes in crime and action films. Syntesizer, drums, ... | 탐정 영화 시간(똑딱) 중단된 수사 ... | Dm | 120 |
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Time Has Come 2 [UBM2274 - 30] |
0 | 2'12 | Sebastian Parche | Ideal for key scenes in crime and action films. Syntesizer, drums, ... | 완고한 대기 염탐 FX 틱톡 ... | Dm | 161 |
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Within [UBM2274 - 11] |
0 | 2'04 | Felix Halbe | Loopable electronic track. The action is progressing, there is the ... | 염탐 서스펜스 의문 시간(똑딱) ... | Em | 140 |
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Rush Hour [UBM2274 - 12] |
1 | 2'07 | Sebastian Parche | Stop and go are also heard in this track, as is the switch of traffic ... | 시간(똑딱) 의문 순환 탐정 영화 ... | Fm | 89 |
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Rush Hour 2 [UBM2274 - 31] |
0 | 2'07 | Sebastian Parche | Stop and go are also heard in this track, as is the switch of traffic ... | 순환 탐정 영화 FX 틱톡 의문 ... | Fm | 89 |
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Time Perception [UBM2274 - 13] |
0 | 3'20 | Felix Halbe | Tick tack, time is tight. The tension rises like the tempo in this ... | FX 틱톡 시간(똑딱) 서스펜스 염탐 ... | Em | 105 |
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Search [UBM2274 - 14] |
1 | 2'15 | Felix Halbe | Warm piano and dangerous sounding synths create a dramatic tension ... | 시간(똑딱) 의문 우려 수사 ... | Em | 107 |
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Search 2 [UBM2274 - 32] |
0 | 1'51 | Felix Halbe | Warm piano and dangerous sounding synths create a dramatic tension ... | 시간(똑딱) 탐정 영화 의문 우려 ... | Em | 107 |
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Spycam [UBM2274 - 15] |
0 | 2'17 | Felix Halbe | The danger is imminent. Ideal for exciting thrillers and images of ... | 시간(똑딱) 염탐 중단된 우려 ... | Bm | 120 |
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Cybercrime [UBM2274 - 16] |
0 | 2'39 | Felix Halbe | Smart hackers are at work. Synthesizer, drones, bass, loopable, ... | 의문 시간(똑딱) 중단된 우려 ... | Em | 93 |
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Wait Tense [UBM2274 - 17] |
0 | 1'49 | Felix Halbe | The calm before the storm is audible. The tension increases. | 시간(똑딱) 중단된 탐정 영화 의문 ... | G | 90 |
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Time Machine [UBM2274 - 18] |
2 | 2'18 | Sebastian Parche | Dramatic track with oriental reminiscences. Sad, dramatic, romantic. | 염탐 FX 틱톡 서스펜스 수사 ... | C | 130 |
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Time Machine 2 [UBM2274 - 33] |
0 | 2'18 | Sebastian Parche | Dramatic track with oriental reminiscences. Sad, dramatic, romantic. | 서스펜스 시간(똑딱) 탐정 영화 신비한 ... | Fm | 130 |
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Time Machine 3 [UBM2274 - 34] |
0 | 2'18 | Sebastian Parche | Dramatic track with oriental reminiscences. Sad, dramatic, romantic. | 탐정 영화 서스펜스 FX 틱톡 수사 ... | C | 130 |
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Investigation Montage [UBM2274 - 19] |
1 | 2'03 | Felix Halbe | Sober, almost neutral track, ideal for images of development and ... | 염탐 과학 수사 대기 중 ... | B | 162 |
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Investigation Montage 2 [UBM2274 - 35] |
0 | 1'49 | Felix Halbe | Sober, almost neutral track, ideal for images of development and ... | 과학 염탐 수사 완고한 ... | B | 100 |
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Step Counter [UBM2274 - 20] |
2 | 1'53 | Sebastian Parche | Exciting, creepy track, ideal for scenes of technical progress, ... | 서스펜스 대기 중 탐정 영화 완고한 ... | B | 130 |
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Step Counter 2 [UBM2274 - 36] |
0 | 1'53 | Sebastian Parche | Exciting, creepy track, ideal for scenes of technical progress, ... | 서스펜스 탐정 영화 완고한 시간(똑딱) ... | B | 130 |
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Step Counter 3 [UBM2274 - 37] |
0 | 1'53 | Sebastian Parche | Exciting, creepy track, ideal for scenes of technical progress, ... | 서스펜스 탐정 영화 완고한 시간(똑딱) ... | B | 130 |
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