단어 ... Nu folk song ins 60's spirit. Hopeful, driving & soulful. Female ...Nu folk song ins 60's spirit. Hopeful, driving & soulful. Female singer, folk guitar, piano, snare drum & rhythm.
There is a land
where we we go
When our hearts are wandering nowhere
We break the ties with the thing we know
And our minds run off to somewhere
Could it be that you & me
Where soft spoken words
elsewhere
Could it be that you & me
Could live together anywhere
Higher level energy
Truly got a hold on me
Now in the mirror of my heart
It is you that I see
Could it be that you & me
Where soft spoken words
elsewhere
Could it be that you & me
Could live together anywhere
Since our story story is written somewhere
If only you knew
How your dreams could come true
If only you’d let me walk by your side
The roads could lead us somewhere
Underscore. Nu folk song ins 60's spirit. Hopeful, driving & soulful. ...Underscore. Nu folk song ins 60's spirit. Hopeful, driving & soulful. Folk guitar, piano, snare drum & rhythm.
Alternate with whistling melody intro. Nu folk song ins 60's spirit. ...Alternate with whistling melody intro. Nu folk song ins 60's spirit. Hopeful, driving & soulful. Folk guitar, piano, snare drum & rhythm.
Alternate without percussion. Positive & electronic intro with piano, ...Alternate without percussion. Positive & electronic intro with piano, synth sequence. Feel good build-up @ 0'38 with catchy & uplifting synth line. Euphoric & optimistic climax @ 1'28. Animation pop trailer music suggested for youth tv, kids, family comedy & children / storytelling.
단어 ... Piano intro. Driving & confident with a touch of melancholy. Female ...Piano intro. Driving & confident with a touch of melancholy. Female singer, backing vocals, piano, hammond organ, rhythm & claps.
Tonight
Coupl 1
Make me a woman
You said you'll be gentle with me
I hope you will
I know I'd go back to you
I'm tryin' to relax
Just can't keep still
We're holdin' on to nothin'
And we're holdin' on too tight
Ref 1
Tonight is the night
you hold me tight
The world is full of light
suns and moons all over the place
when I'm coming back to you
Tonight, tonight
Tonight, so bright
and i'm feeling all right
bridg 1
Love me, let me love you no one else
love me let me love me or nothing
I just keep on coming back to you
coupl 2
trying to forget
I just keep on coming back to you
show me what to do
That's why, I'm coming back to you
That's how your love, can take me home
You let me do, what I needed to
when I'm coming back to you
Underscore. Piano intro. Driving & confident with a touch of ...Underscore. Piano intro. Driving & confident with a touch of melancholy. Piano, hammond organ, rhythm & claps.
Indie rock bed, indie pop bed. Catchy guitar riff then bouncy & ...Indie rock bed, indie pop bed. Catchy guitar riff then bouncy & dynamic. Suggested for DIY, sports, outdoor fun, TV program. Electric guitar, bass, organ & drums.
Indie pop bed. Funky, groovy & catchy. Cooking invitation. Suggested ...Indie pop bed. Funky, groovy & catchy. Cooking invitation. Suggested for TV programs, daily life. Percussion, clavinet, organ & drums.
50's / 60's hot pursuit music in the spirit of 50's / 60's Film Noir. ...50's / 60's hot pursuit music in the spirit of 50's / 60's Film Noir. Running bass & chabada snare. Perfect for old fashioned detective movies.
Modern classical arrangement, electro, hard-tec. Dignified intro then ...Modern classical arrangement, electro, hard-tec. Dignified intro then techno beat, triumphant & tense. Totally iconoclastic. From the Pavane "Belle qui tient ma vie" by Thoinot. Suggested for team sports, party & clubbing. Synth & rhythm.
Modern classical arrangement, electro, hard-tec. Dignified intro then ...Modern classical arrangement, electro, hard-tec. Dignified intro then techno beat, triumphant & tense. From the Pavane "Belle qui tient ma vie" by Thoinot Arbeau. Suggested for team sports, party & clubbing. Synth, vinyl FX & rhythm.
단어 ... Catchy, uplifting but disillusioned. Electro-pop sung in Spanish. ...Catchy, uplifting but disillusioned. Electro-pop sung in Spanish. Female singer, synths, electronic percussion. Suggested for telenovelas & teenagers TV drama.
ES:
La primera vez que te conocí debí haberlo presentido Muy encantador y seductor El bonito Don Jua?n ha venido La segunda vez que nos encontramos Trajiste un ramo de cien rosas Una flor por cada error Cada herida, cada palabra y cada tusa
Cuando me miras, no te miro Aún me siento incomoda No estoy interesada en tus jugadas No quiero verte nunca mas
*Te digo* (pitched down)
Vete ya porfa vete ya No quiero verte acá porfa vete ya Vete ya porfa vete ya No quiero verte acá porfa vete ya (2x)
La tercera vez, que te vi Llegaste completamente convencido De tu estrategia de conquista Para tenerme en tu bolsillo
La cuarta vez que estuviste aquí Lamentablemente lo recordamos Ahí fue donde descubrí Tus verdaderas intenciones
Cuando me miras, no te miro Todavía me siento incomoda No estoy interesada en tus jugadas No quiero verte más
*Te digo* (pitched down) Vete ya porfa vete ya No quiero verte acá porfa vete ya Vete ya porfa vete yaNo quiero verte acá porfa vete ya (2x)
*Te digo* (pitched down)
Vete ya porfa vete ya No quiero verte acá porfa vete ya Vete ya porfa vete ya No quiero verte acá porfa vete ya (4x)
EN:
The first time I met you I should have sensed it Very charming and seductive The beautiful Don Juan has come The second time we met You brought a bouquet of a hundred roses A flower for every mistake Every wound, every word, and every Tusa
When you look at me, I don't look at you I still feel uncomfortable I'm not interested in your moves I don't want to see you anymore
* I'm telling you * (pitched down)
Go away now please go away now I don't want to see you here please go now Go away now please go away now I don't want to see you here please go now (2x)
The third time, I saw you You arrived completely convinced Of your strategy of conquest To have me in your pocket
The fourth time you were here Sadly we remember That's where I discovered Your true intentions
When you look at me, I don't look at you I still feel uncomfortable I'm not interested in your moves I don't want to see you anymore
* I'm telling you * (pitched down) Go away now please go away now I don't want to see you here please go now Go away now please go away now I don't want to see you here please go now (2x)
* I'm telling you * (pitched down)
Go away now please go away now I don't want to see you here please go now I don't want to see you here please go now I don't want to see you here please go now (4x)
