Underscore. Danceable, festive & cheerful instrumental calypso-soca. ...Underscore. Danceable, festive & cheerful instrumental calypso-soca. Perfect for bringing joy, happiness & feel-good vibes to advertising scenes. Electric guitar, marimba, Latin percussion. Lead piano @ 0'37, percussion solo @ 1'36. Lead organ @ 1'06.
단어 ... Indie pop with a 60s twist. Upbeat, danceable & happy. Organ, bass, ...Indie pop with a 60s twist. Upbeat, danceable & happy. Organ, bass, guitar, rhythm, female vocals & backing vocals. Break @ 1'24. Suggested for time out & parties.
I don't mind.
You should know that i don't mind, if you want to love me all your life.
단어 ... Pop / Dark Pop. Sultry, catchy, uplifting & confident female vocal ...Pop / Dark Pop. Sultry, catchy, uplifting & confident female vocal track with trap beat, snap, FX & synth. Lyrics about love & toxic relationship. Perfect for social media, video, fashion, ads & TV.
I heard You wanna go somewhere
Don’t go Without me it’s unfair
I’m trying to turn you down
But you keep coming back for more
I would rather let you drown
Than to save you from the sore
Don’t come near me
I might mesmerize your mind
Don’t you kiss me
I have poison on my…
If you get lost
I won’t try
If I won’t find you
I won’t cry
I’ll just
Try and run away
I will find a way
Paragraph 4:
I don’t wanna just stay here
Not without you on my side
I know
You feel the same inside
Don’t think that I don’t know how to lie
I’m trying to show you how
To love a woman without a crown
I never seen those eyes so dry
I just want to see you cry
If you get lost
I won’t try
If I won’t find you
I won’t cry
I’ll just
Try and run away
I will find a way
I don’t wanna just stay here
Not without you on my side
Not without you
Electro corporate. Piano & synth arpeggios evolving in an inspiring, ...Electro corporate. Piano & synth arpeggios evolving in an inspiring, confident & technological spirit (innovation).
Atmospheric, suspended & contemplative. Electric guitar arpeggio with ...Atmospheric, suspended & contemplative. Electric guitar arpeggio with reverb & delay effect. Theme played on acoustic guitar @ 0'19. Trumpet & trombone @ 0'56. Electric guitar solo @ 1'32. Suggested for travel, dreams, destiny & urban landscapes.
Sunset by the sea, a peaceful atmosphere, memories of your last ...Sunset by the sea, a peaceful atmosphere, memories of your last vacation - that's what this friendly composition sounds like.
Northern soul, 60s rare UK soul, British dancehall. Dancing, upbeat & ...Northern soul, 60s rare UK soul, British dancehall. Dancing, upbeat & catchy. Dance combo with brass section & Hammond organ. Lead trumpet @ 0'54, lead organ 0'27 & 1'08. Suggested for fancy spots along the French Riviera, classy restaurant & french retro movie.
단어 ... Chinese rap. Nostalgic & introspective. Sung in Chinese Mandarin. A ...Chinese rap. Nostalgic & introspective. Sung in Chinese Mandarin. A song about loneliness: "I don't know when I became lonely...".
I don't know when I became lonely Born in 1990, looking for a way out at 30 I don't know when I started to become lonely I understand that if you want to love, you must give Still looking for a home friends are growing up fast Time becomes a rope and strangles me Only my spiritual pillar is left regret regret always confused I don't know when I became lonely I don't know when I became lonely I don't know when I became lonely I don't know when I became lonely
solitude and time connect in a long line Like a lonely boat deviating from its course run away from parents Now want to be able to sit next to them Chatting or eating supper Can spend the Lantern Festival with the girl I love Really don't have to sing lonely shit alone If time can be turned back, even if we meet only once life starts to get better Sincerity has become less and less feelings become bad I'm really mad Only memories and rhymes remain the night just talking about you When the whole atmosphere becomes special chill Only to realize that life is not enough Maybe persistence can undo the curse of loneliness oh not helpless oh try to accept
I don't know when I became lonely Born in 1990, looking for a way out at 30 I don't know when I started to become lonely I understand that if you want to love, you must give Still looking for a home friends are growing up fast Time becomes a rope and strangles me Only my spiritual pillar is left regret regret always confused I don't know when I became lonely I don't know when I became lonely I don't know when I became lonely I don't know when I became lonely
I don't often call when I leave my hometown I can't say I'm disappointed. Don't say disappointment, tell yourself that you are powerful Life needs to experience growth to make you change Those who remember me will always remember Those who don’t remember will always forget that there is always a parting Anyway, you can't be strong and you can't be weak Life goes on, maybe or? (so what) past a childish age time to calm down Sometimes the firm belief of the past tense is really missing Technology is very advanced, people's hearts are not that closed anymore like before feeling upset no one even talks Maybe loneliness is just looking at the stars alone Dreams are all on paper Sincere words are often hard to hear
oh it's not hopeless oh try to accept 不知从何时起开始变的孤独90年出生在找30岁的出路不知何时起开始变的孤独明白了要爱就必须得付出还在寻找归宿朋友们都飞速时间变成绳子把我都勒住只剩下我的精神支柱后悔后悔总是糊涂不知从何时起开始变的孤独不知从何时起开始变的孤独不知从何时起开始变的孤独不知从何时起开始变的孤独 孤独和时间连成一条长线像是一片孤舟偏离了航线小时候逃离父母的身边现在又想能够坐在他们旁边聊聊天或是吃宵夜能和爱的女孩过元宵节真的不用独自在唱lonely shit如果时光能够倒流哪怕见一面生活开始变的越来越好真情实意却变的越来越少感情变的蹩脚真心的都被气跑只留下回忆还有残留韵脚the night Just talking about you当整个气氛都变的特别chill才意识到人生都还没活够也许坚持才能解开孤独的魔咒oh 不是没了救oh 试着去接受 不知从何时起开始变的孤独90年出生在找30岁的出路不知何时起开始变的孤独明白了要爱就必须得付出还在寻找归宿朋友们都飞速时间变成绳子把我都勒住只剩下我的精神支柱后悔后悔总是糊涂不知从何时起开始变的孤独不知从何时起开始变的孤独不知从何时起开始变的孤独不知从何时起开始变的孤独 离开了家乡也不常打电话就这么走了说不上失望吧别说失望话告诉自己力量大人生需要经历成长使你大变化记得我的人总会记得不记得的也总会忘记总有割舍反正做不了强者也不做弱者日子还是过着也许是或者？（so what）过了幼稚的年纪时间磨平闲心有时候真的少了过去时的那份坚信科技都很先进 人心 却不在接近感情产生了烦心甚至没人谈心可能孤独就是一个人看繁星梦想都在纸上谈兵真心的话往往也会难听 oh不是没了救oh试着去接受
XIII. The Swan. Two pianos and cello: a slowly moving cello melody. A ...XIII. The Swan. Two pianos and cello: a slowly moving cello melody. A staple of the cello repertoire, this is one of the best-known movements of the suite, usually in the version for cello with solo piano which was the only publication from this suite in Saint-Saëns's lifetime. Small ensemble.
