단어 ... Alternative, indie rock. Dark, inexorable & moving. Constant ...Alternative, indie rock. Dark, inexorable & moving. Constant progression. Intense outro with back-up vocalists @ 3'30. Rock band with female singer & piano.
You and I used to meet on the crowded street;
High on absinthe and all distilled so sweet.
Under a doorway lit by a single bulb:
You asked me if I could give you my love.
Sir I cannot give what I do not feel –
So don't ask and ask you wax me ill.
Yet, I should think there a girl
who might take pity on you –
Who'd love you like you know
I could never do.
Nell or Nan won't give you trouble
like you know I would;
Their love is free, which I'm sure you deserve.
Now, let's shake hands and
call ourselves “friend”.
For all things start and
all things must end.
I shall say our time together was
that most pleasant.
Remember me well and
harbor no resentment.
But why you go ‘round and say
that I have no heart?
It don't make sense
– you want what you say I ain't got.
C’mon, now, sir.
Now, I said I could not love you
and that I mean.
Ain't no man gonna put a rope around me.
Ain't no man gonna put a rope around me.
She ain't said never better wait and see.
Ain't no man gonna put a rope around me.
She ain't said never better wait and see.
단어 ... Uplifting intro with triumphant brass pattern building-up with male ...Uplifting intro with triumphant brass pattern building-up with male rapper. Powerful & swagger hip hop build-up @ 0'25 with trailer percussion (riser & braams). Break @ 1'14 with a suspenseful beat. Motivational & pulsing climax @ 1'40. Finale & back end. Perfect for action sport, entertainment, video games & racing movie.
I won’t change this world but I’ll take it over,
Taking no losses cuz it’s never over,
Don’t try to do me wrong,
I Strike you like a cobra,
You better pray you make it home,
They know me as the closer,
Make way this the take over,
I see em looking down,
when we coming closer,
Step up Get a close up, of a pro soldier,
An overdose of work, grind, and composure,
I want big bags,
Live life like rich brat,
Put a price on they head,
We never hit back,
Catch me out on the field than that’s a
Mismatch,
Everyday on a jet, now watch me sit back,
This the take over, Protect, what’s yours,
if not my boy, I’ll be taking all yo soul,
And all yo toys,
It’s Bout to get real obscure, big bad mood,
Yeah I been that dude, huh,
This the take over, Protect, what’s yours,
if not my boy, I’ll be taking all yo soul,
And all yo toys,
It’s Bout to get real obscure, big bad mood,
Yeah I been that dude, huh,
I won’t change this world but I’ll take it over,
Taking no losses cuz it’s never over,
Don’t try to do me wrong,
I Strike you like a cobra,
You better pray you make it home,
They know me as the closer,
Take over,
Ima take it, the world is yours, encore, the world is yours,
Ima take it, the world is yours, it’s never over
And we taking over,
Yeah yeah yeah, taking over,
Whole world watch us taking over,
Whole world watch us taking over,
Savage & ethnic intro with shakuhachi flute evolving with tribal & ...Savage & ethnic intro with shakuhachi flute evolving with tribal & hectic percussion. Alarm like an elephant's croaking FX @ 1'21. Majestic climax with strings & huge synth. Perfect for heroic chinese tale, dragon movie & east asia.
Wild, imposing & tribal intro with shakuhachi flute & taiko. Powerful ...Wild, imposing & tribal intro with shakuhachi flute & taiko. Powerful & obstinate drum beat with intriguing alarm FX @ 0'32 & koto sound in a Japanese & adventurous spirit. Perfect for action, kung fu stories
Peaceful & sedate introduction. Jesu, Joy of Man's Desiring @ 0'59. ...Peaceful & sedate introduction. Jesu, Joy of Man's Desiring @ 0'59. Solo organ in a temple/chapel environment. Suggested for Protestant & Catholic ceremonial occasions.
Franz Schubert's Ave Maria (Ellen's Third Song D.839, Op 52 n°6). ...Franz Schubert's Ave Maria (Ellen's Third Song D.839, Op 52 n°6). Emotional & inspirational. Solo church organ. Suggested for Catholic & Protestant ceremonial occasions.
Serene & solemn introduction. Franz Schubert's Ave Maria (Ellen ...Serene & solemn introduction. Franz Schubert's Ave Maria (Ellen Gesang III) @ 0'59. Solo church organ. Suggested for Catholic & Protestant ceremonial occasions.
Edward Elgar's Nimrod from Enigma Variations n°9, op. 36. Adagio. ...Edward Elgar's Nimrod from Enigma Variations n°9, op. 36. Adagio. Peaceful & stately. Solo organ in a temple/chapel environment.
Suspenseful, dark & under pressure. Hybrid orchestra in a spirit of ...Suspenseful, dark & under pressure. Hybrid orchestra in a spirit of power conquest. Dangerous @ 1'00 with FX alarm. Climax @ 1'14 with imposing & epic strings & brass. Politics & history.
LES ANGESÉtaient-ce les humeurs de l’automne Mélancolie des feuilles sous les ormes Était-ce la couleur de l’air, la douceur de l’eau Tout ce qui fait encore danser les roseauxÉtait-ce la béance de ton cœur La triste précision des longues heures Ou était-ce le fond du temps, le fond des gens, Profondément, les vivants...?Il est trop tôt ce soir Au bord des battants noirs La lune n’a pas eu le temps De dissuader le vent.Était-ce la hauteur des étoiles Qui ont soudain hissé leurs grandes voiles Emmenant avec elle, les fées Dérobant la brillance de l’étéLes angesÉtait-ce l’insouciance du hasard Que l’on a vu sortir trop en retard Et qui sous ta fenêtre a oublié L’appel du temps, l’éternité.Il est trop tôt ce soir Au bord des battants noirs La lune n’a pas eu le temps De dissuader le ventÉtait-ce la figure du triste monde Colère de la mer qui monte Était-ce le fond des villes, les ports trop loin L’indifférence de chaque matin.Était-ce l’impuissance de tes peurs Les mains vides de sens, dans l’ampleur Adieu le sort, adieu l’exil Adieu l’existence tranquille.
Delicate, restrained, likeable & tender. Break @ 0'54. Solo piano. ...Delicate, restrained, likeable & tender. Break @ 0'54. Solo piano. Suggested for family & children daytime TV & silent movie.
Suspenseful, mysterious & disturbing intro with spooky FX evolving ...Suspenseful, mysterious & disturbing intro with spooky FX evolving into a determined & fast build-up. Impactful & visceral percussive build-up @ 1'01 with intense synth. Climax @ 1'31 in a dramatic & brawling mood. Finale @ 1'59 with anguish FX. Action trailer music suggested for thrillers, modern sci-fi & video games.
Confident strings ostinato evolving with cinematic orchestral layers ...Confident strings ostinato evolving with cinematic orchestral layers & percussion. Sad piano break @ 0'49. Climax @ 1'55 in a serious & determined spirit, almost epic. Suggested for nature drama, adventure, life expansion & beautiful landscapes.