Popular Guarani style from Iguazu, at the crossroads of Paraguay, ...Popular Guarani style from Iguazu, at the crossroads of Paraguay, Argentina & Brazil. Ethnic & mysterious. Charango, Spanish guitar, siku (Indian flutes) & erke @ 1'38.
Moving, panoramic & inspirational track influenced by the migration ...Moving, panoramic & inspirational track influenced by the migration stories from the south-west border between USA & Mexico. Exhilarating @ 1'08. Charango, Spanish guitar, cinematic orchestra & Latin percussion.
Underscore. Moving, panoramic & inspirational track influenced by the ...Underscore. Moving, panoramic & inspirational track influenced by the migration stories from the south-west border between USA & Mexico. Charango, Spanish guitar & synth.
Alternate with climax. Exhilarating, panoramic & inspirational track ...Alternate with climax. Exhilarating, panoramic & inspirational track influenced by the migration stories from the south-west border between USA & Mexico. Cinematic orchestra, charango, Spanish guitar, synth & percussion.
단어 ... Passionate, melancholic yet grounded Chicano rap sung in Spanish. ...Passionate, melancholic yet grounded Chicano rap sung in Spanish. There's nothing left after crossing the border. Male rap singer, electric guitar & Latin percussion.
ES:
Que difícil es no poderte abrazar
Y tengo que cruzar pa' volverte a besar
Nada, no queda nada...
Que difícil es no poderte abrazar
Y tengo que cruzar pa' volverte a besar
Nada, no queda nada...
Estoy aquí
Justo donde no nací
Donde el día y la noche siempre se ve gris
Donde todos parecen zanahorias
Y el hombre que me llama me dice
Ten paciencia, sonríe...
De nuevo la paré' esta fría,
Extraño mi geva, mi gente, mi familia
Es por eso que no puedo ir
Espérame mi amor
Pronto voy por ti, sigues ahí?
Que difícil es no poderte abrazar
Y tengo que cruzar pa' volverte a besar
Nada, no queda nada...
Que difícil es no poderte abrazar
Y tengo que cruzar pa' volverte a besar
Nada, no queda nada...
Esto es real
Sigo sin quitarme el guante
Padre santo dame fuerza tengo que aguántame
Gracias a mis errores ahora estoy pagando
Te lo juro que cambio por mi negra, yo cambio
Me llena de esperanza cuando escucho su voz
Se nota que me ama aunque odie mis actos
Pero estamos preparados
Por que cuando regrese
Ya no seremos dos
EN:
How hard it is not being able to hug you
And I have to cross over to kiss you again
Nothing, there's nothing left
How hard it is not being able to hug you
And I have to cross over to kiss you again
Nothing, there's nothing left
I'm here
Right where I wasn't born
Where day and night always look grey
Where everyone looks like carrots
And the man who calls me says
Be patient, smile...
Again the wall is cold,
I miss my woman, my people, my family
That's why I can't go
Wait for me my love
I'm coming for you soon, are you still there?
How hard it is not being able to hug you
And I have to cross over to kiss you again
Nothing, there's nothing left
How hard it is not being able to hug you
And I have to cross over to kiss you again
Nothing, there's nothing left
This is real
I still keep the gloves on
Holy Father give me strength I have to endure
Because of my mistakes now I'm paying
I swear I change for my black woman, I change
It fills me with hope when I hear her voice
I can tell she loves me even though she hates my actions
But we're ready
Because when I come back
We won't be two anymore
Introduction with guttural monastic voices. Ceremonial, mystical, ...Introduction with guttural monastic voices. Ceremonial, mystical, tribal & forceful. Guzheng, dizi flute, taiko & traditional Chinese percussion. Suggested for Chinese action kung-fu movies & martial arts video game.
Somber & depressing. Constant percussion with cold textures. Piano @ ...Somber & depressing. Constant percussion with cold textures. Piano @ 0'56 in a dramatic & sad spirit. Resilient conclusion. Suggested for social drama, thriller, crime & legends.
1926. Gambang. Syncopated ornamentation of the kantil & ostinato beat ...1926. Gambang. Syncopated ornamentation of the kantil & ostinato beat of kajar gong. Kendang drum.
Indonesia. Musical interlude with Legong. Rhythm with the Kendang ...Indonesia. Musical interlude with Legong. Rhythm with the Kendang drum. Melody supported by a kantilan.