Flamenco jazz. Malaguena. 2nd part. Intimate but lyrical. Improvised ...Flamenco jazz. Malaguena. 2nd part. Intimate but lyrical. Improvised solo piano introduction joined by bowed double bass @ 1'20.
Moving, solemn, noble & tense in the spirit of the XVIIIth century. ...Moving, solemn, noble & tense in the spirit of the XVIIIth century. Cello, string orchestra & percussion. Progression & crescendo with percussion @ 1'08 & climax. Suggested for historical/period drama & documentary.
Jazz-world in a baroque & Middle-Eastern mood with a touch of ...Jazz-world in a baroque & Middle-Eastern mood with a touch of flamenco. Animated, virtuoso & lively. String quartet, double-bass, Spanish guitar & kanoun.
World-music inspired by the Far East. Delicate, dreamy & peaceful. ...World-music inspired by the Far East. Delicate, dreamy & peaceful. String quartet playing pizzicato & kanoun. Bowed double-bass jazz improvisation @ 1'51.
Flamenco inspired world-music in jazzy mood. Celestial introduction ...Flamenco inspired world-music in jazzy mood. Celestial introduction played in harmonics. Pizzicato double-bass @ 0'34 building-up gradually with a bowed double-bass ensemble. Cajon @ 3'00 in a flamenco spirit.
Jazzy samba in the spirit of the Brazilian 60's & 70's. Carefree, ...Jazzy samba in the spirit of the Brazilian 60's & 70's. Carefree, festive, exotic, optimistic & classy. Jazz sextet with flugelhorn & flute lead @1'35.
단어 ... Colourful, festive & definitely in a good mood. Cuban cuatro, Latin ...Colourful, festive & definitely in a good mood. Cuban cuatro, Latin percussion, bass & male singer & choir. Parranda de Aragua (traditional Venezuelan rhythm).
ES:
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
Vengo cantando parranda
Porque me invito Poleo en Paris
Vengo cantando parranda
Porque me invito Poleo
Con mi compadre Cristobal
Y el contrabajo de Leo
Con mi compadre Cristobal
Y el contrabajo de Leo
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
La mujer de Mano Grande
No me gusta ni un poquito
La mujer de Mano Grande
No me gusta ni un poquito
Porque todo lo que agarra
Le parece muy chiquito
Porque todo lo que agarra
Le parece muy chiquito
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
No te quedes esperando
Acercate al parrandon
Gozalo con Cheo Hurtado, Cristobal Soto Orlando Poleo y su son
EN:
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
I come singing parranda
Because I was invited by Poleo in Paris
I come singing parranda
Because Poleo invited me
With my compadre Cristobal
And Leo's double bass
With my compadre Cristobal
And Leo's double bass
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
The woman with big hands
I don't like it one bit
The woman with big hands
I don't like it one bit
Because everything she grabs
She thinks it's too small
Because everything she grabs
She thinks it's too small
Don't stay waiting
Come to the party
Enjoy it with Cheo Hurtado, Cristobal Soto, Orlando Poleo and his son.
Don't stay waiting.
Get closer to the party
Enjoy it with Cheo Hurtado, Cristobal Soto Orlando Poleo and their son
Underscore version. Colourful, festive & definitely in a good mood. ...Underscore version. Colourful, festive & definitely in a good mood. Cuban cuatro, Latin percussion. Parranda de Aragua (traditional Venezuelan rhythm).
Introspective, sad, nocturnal & jazzy, inspired by the codes of bossa ...Introspective, sad, nocturnal & jazzy, inspired by the codes of bossa nova aesthetics. Brazilian guitar, vibes, cuica, drums, double bass & strings. A different view of Brazil.
Pulsation in a desolate & suspended atmosphere. Inspired by the ...Pulsation in a desolate & suspended atmosphere. Inspired by the Brazil that lies behind the one shown in the tourist guides. Cuica with delay fx, snare roll, flute, electric guitar & double bass.
