Medium - Classy, passionate and seductive electro-tango. Bandoneon, ...Medium - Classy, passionate and seductive electro-tango. Bandoneon, cajon, double bass, vibraphone, piano, percs. Break @ 0'39. Love at first sight in the streets of San Telmo.
Balkan music. Melancholic & mournful, bluesy with a sway. Trumpet, ...Balkan music. Melancholic & mournful, bluesy with a sway. Trumpet, gypsy fiddle, clarinet & percussion.
Slow - Solo bass flute in a tango nuevo style. Reflective intro, ...Slow - Solo bass flute in a tango nuevo style. Reflective intro, playful and positive @ 0'44. An improvisation in Buenos Aires. For documentary, travel, culture.
Pending & spiritual intro with dizi. Build up @ 0'29 avec guzheng. ...Pending & spiritual intro with dizi. Build up @ 0'29 avec guzheng. Then confident with shakuashi & taïko. Grandiloquent climax @ 1'42 with cinematic orchestra, triumphant brass, taiko drums & joyful dizi. Suggested for spying ninjas, epic east asia trailer & Chinese adventure film.
단어 ... Passionate, melancholic yet grounded Chicano rap sung in Spanish. ...Passionate, melancholic yet grounded Chicano rap sung in Spanish. There's nothing left after crossing the border. Male rap singer, electric guitar & Latin percussion.
ES:
Que difícil es no poderte abrazar
Y tengo que cruzar pa' volverte a besar
Nada, no queda nada...
Que difícil es no poderte abrazar
Y tengo que cruzar pa' volverte a besar
Nada, no queda nada...
Estoy aquí
Justo donde no nací
Donde el día y la noche siempre se ve gris
Donde todos parecen zanahorias
Y el hombre que me llama me dice
Ten paciencia, sonríe...
De nuevo la paré' esta fría,
Extraño mi geva, mi gente, mi familia
Es por eso que no puedo ir
Espérame mi amor
Pronto voy por ti, sigues ahí?
Que difícil es no poderte abrazar
Y tengo que cruzar pa' volverte a besar
Nada, no queda nada...
Que difícil es no poderte abrazar
Y tengo que cruzar pa' volverte a besar
Nada, no queda nada...
Esto es real
Sigo sin quitarme el guante
Padre santo dame fuerza tengo que aguántame
Gracias a mis errores ahora estoy pagando
Te lo juro que cambio por mi negra, yo cambio
Me llena de esperanza cuando escucho su voz
Se nota que me ama aunque odie mis actos
Pero estamos preparados
Por que cuando regrese
Ya no seremos dos
EN:
How hard it is not being able to hug you
And I have to cross over to kiss you again
Nothing, there's nothing left
How hard it is not being able to hug you
And I have to cross over to kiss you again
Nothing, there's nothing left
I'm here
Right where I wasn't born
Where day and night always look grey
Where everyone looks like carrots
And the man who calls me says
Be patient, smile...
Again the wall is cold,
I miss my woman, my people, my family
That's why I can't go
Wait for me my love
I'm coming for you soon, are you still there?
How hard it is not being able to hug you
And I have to cross over to kiss you again
Nothing, there's nothing left
How hard it is not being able to hug you
And I have to cross over to kiss you again
Nothing, there's nothing left
This is real
I still keep the gloves on
Holy Father give me strength I have to endure
Because of my mistakes now I'm paying
I swear I change for my black woman, I change
It fills me with hope when I hear her voice
I can tell she loves me even though she hates my actions
But we're ready
Because when I come back
We won't be two anymore
Mesmerising, introspective & reminiscent flamenco in a soleá por ...Mesmerising, introspective & reminiscent flamenco in a soleá por bulería aesthetic. Spanish guitar, taconeo (foot-stomping), palmas & cajon. Male vocal expressions in Spanish @ 0'20.
Refined, patient & pathetic flamenco in a serrana aesthetic. ...Refined, patient & pathetic flamenco in a serrana aesthetic. Characteristic style of the Ronda region in Andalusia. Spanish Guitar & cajon.
Sensitive, restrained & mellow flamenco in a soleá aesthetic. Style ...Sensitive, restrained & mellow flamenco in a soleá aesthetic. Style of the region of Cadiz in Andalusia. Spanish Guitar, nudillos (knuckle-tapping) & cajon.
