단어 ... Upbeat, swaying & danceable pop sung in Spanish. Flirting in the ...Upbeat, swaying & danceable pop sung in Spanish. Flirting in the rave. Female singer, arpeggiator, synth, sampling & electronic percussion.
ES:
Es la quinta vez que leo tu correo
Me gusta gustarte me gusta el roneo
ponerte el pelo detrás de la oreja
y pasar la noche armando jaleo
veo que te gusta el bellaqueo
y el gloss nuevo que me he puesto
veo que te gusto yo
es inevitable pasar a la acción
vamos a hacer como que hoy no pasó
vamos a hacer como que hoy no pasó
para tener una excusa y verte
y que no parezca desesperación
vamos a hacer como que hoy no pasó
vamos a hacer como que hoy no pasó
para tener una excusa y verte
y que no parezca desesperación
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
mires mires mas
mires sin parar
mires mires mas
mires sin parar
vamos a bailar
la rave es grande nadie nos va a encontrar
si quieres nos vamos detrás de ese minivan
tienes la farmacia guardada en tu bota militar
me gusta to' lo que me das
y cuando me tocas la cara si preguntar
y cuando me mirar por detrás peligrosa
siempre puesta para pelear
bajo la bola de cristal baby
bailar mola mucho mas baby
se reflejan los colores en tu lengua
cuando me vas a besar
bajo la bola de cristal baby
bailar mola mucho mas baby
se reflejan los colores en tu lengua
cuando me vas a besar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
EN:
It's the fifth time I read your mail
I like to like you I like the purring
put your hair behind your ear
and spend the night making a racket
I see that you like to fool around
and the new gloss I put on
I see that you like me
it's inevitable to take action
let's pretend today didn't happen
let's pretend today didn't happen
so I have an excuse to see you
Without looking desperate
let's pretend today didn't happen
let's pretend today didn't happen
so I have an excuse to see you
Without looking desperate
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
look look more
look at me non-stop
look look more
look at me non-stop
let's dance
the rave is big nobody's gonna find us
if you want we'll go behind that minivan
you got the pharmacy stored in your army boot
I like everything you give me
and when you touch my face without asking
and when you look at me from behind dangerous
always ready to fight
under the crystal ball baby
dancing is so much cooler baby
colors reflect on your tongue
when you're gonna kiss me
under the crystal ball baby
dancing is so much cooler baby
colors reflect on your tongue
when you're gonna kiss me
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
단어 ... Dembow version. Upbeat, swaying & danceable pop sung in Spanish. ...Dembow version. Upbeat, swaying & danceable pop sung in Spanish. Flirting in the rave. Female singer, arpeggiator, synth, sampling & electronic percussion.
ES:
Es la quinta vez que leo tu correo
Me gusta gustarte me gusta el roneo
ponerte el pelo detrás de la oreja
y pasar la noche armando jaleo
veo que te gusta el bellaqueo
y el gloss nuevo que me he puesto
veo que te gusto yo
es inevitable pasar a la acción
vamos a hacer como que hoy no pasó
vamos a hacer como que hoy no pasó
para tener una excusa y verte
y que no parezca desesperación
vamos a hacer como que hoy no pasó
vamos a hacer como que hoy no pasó
para tener una excusa y verte
y que no parezca desesperación
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
mires mires mas
mires sin parar
mires mires mas
mires sin parar
vamos a bailar
la rave es grande nadie nos va a encontrar
si quieres nos vamos detrás de ese minivan
tienes la farmacia guardada en tu bota militar
me gusta to' lo que me das
y cuando me tocas la cara si preguntar
y cuando me mirar por detrás peligrosa
siempre puesta para pelear
bajo la bola de cristal baby
bailar mola mucho mas baby
se reflejan los colores en tu lengua
cuando me vas a besar
bajo la bola de cristal baby
bailar mola mucho mas baby
se reflejan los colores en tu lengua
cuando me vas a besar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
quiero que me veas pasar
y que solo tu me quieras tocar
quiero que me mires mires mas
quiero que me mires sin parar
EN:
It's the fifth time I read your mail
I like to like you I like the purring
put your hair behind your ear
and spend the night making a racket
I see that you like to fool around
and the new gloss I put on
I see that you like me
it's inevitable to take action
let's pretend today didn't happen
let's pretend today didn't happen
so I have an excuse to see you
Without looking desperate
let's pretend today didn't happen
let's pretend today didn't happen
so I have an excuse to see you
Without looking desperate
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
look look more
look at me non-stop
look look more
look at me non-stop
let's dance
the rave is big nobody's gonna find us
if you want we'll go behind that minivan
you got the pharmacy stored in your army boot
I like everything you give me
and when you touch my face without asking
and when you look at me from behind dangerous
always ready to fight
under the crystal ball baby
dancing is so much cooler baby
colors reflect on your tongue
when you're gonna kiss me
under the crystal ball baby
dancing is so much cooler baby
colors reflect on your tongue
when you're gonna kiss me
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
I want you to see me pass by
and that only you want to touch me
I want you to look at me look at me more
I want you to look at me non-stop
단어 ... Sentimental, lively & smooth pop sung in Spanish & English. ...Sentimental, lively & smooth pop sung in Spanish & English. Better-off alone than with bad company. Female singer, electric piano, synth & electronic percussion.
ES:
brilla el litio en la calle
no hay nadie vuelvo a casa
el semáforo brillante
y las luces apagadas
en la habitación a oscuras
la cara recién lavada
me he quitado el pintalabios
y espero sentada a tu llamada
pero nunca llega
tal vez sea todo culpa de esa chica nueva
a la que ves
con ese rollo francés
nadie se lo cree
he esperado mucho para volverte a ver
y cuando te he visto me has dejado de querer
que pena mas grande la que me haces padecer
padecer
padecer
padecer
la que tu me haces padecer
No sé que hacer desde ayer y ahora
mi alma es de la textura de un bote de gel
No sé que hacer desde ayer y ahora
mi alma es de la textura de un bote de gel
Te apareces en mis sueños
dices que te debo algo
pero no lo creo
siempre me haces partícipe de todos tus juegos
yo solo quiero mirar al sol en el recreo
volver a ser una niña para sufrir menos
para no perder el tiempo con tanto lamento
escuchar la última canción
de mañaneo
he encendido una vela para que no te aparezcas
aunque dejo la luz encendida y la puerta abierta
no es que no te quiera
es que ahora me quiero yo
como dice bunny ahora soy peor
he encendido una vela para que no te aparezcas
aunque dejo la luz encendida y la puerta abierta
no es que no te quiera
es que ahora me quiero yo
como dice bunny ahora soy peor
rolling with my ladies on the floor
singing baby baby drop that broad
is the same old song
y tal vez
vuelva a ver
esa luz que reflejé
ya no me incitas
no me necesitas
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor y mejor y mejor, y mejor, y mejor…
y mejor
EN:
lithium shines in the street
there's no one I'm going home
the traffic light shining
and the lights off
in the darkened room
my face freshly washed
I've taken off my lipstick
and I sit and wait for your call
but it never comes
maybe it's all the fault of that new girl
the one you see
with that French vibe
no one believes it
I've waited a long time to see you again
and when I've seen you you've stopped loving me
what a great sorrow that you make me suffer
suffer
suffer
suffer
that you make me suffer
I don't know what to do since yesterday and now
my soul is the texture of a jar of gel
I don't know what to do since yesterday and now
my soul is the texture of a jar of gel
You appear in my dreams
You say I owe you something
but I don't believe it
you always make me a part of all your games
I just want to look at the sun at playtime
to be a little girl again and suffer less
not to waste time with so much regret
to listen to the last song
at sunrise
I've lit a candle so you won't show up
although I leave the light on and the door open
it's not that I don't love you
it's that now I love me
as bunny says now I'm worse
I've lit a candle so you won't show up
although I leave the light on and the door open
it's not that I don't love you
it's that now I love me
as bunny says now I'm worse
rolling with my ladies on the floor
singing baby baby drop that broad
is the same old song
and maybe
I'll see again
that light that I reflected
you don't urge me on no more
you don't need me no more
and better
and better
and better
and better
and better
and better
and better
and better and better and better and better and better and better and better...
단어 ... Explicit. Sentimental, lively & smooth pop sung in Spanish. ...Explicit. Sentimental, lively & smooth pop sung in Spanish. Better-off alone than with bad company. Female singer, electronic piano, synth & electronic percussion.
ES:
brilla el litio en la calle
no hay nadie vuelvo a casa
el semáforo brillante
y las luces apagadas
en la habitación a oscuras
la cara recién lavada
me he quitado el pintalabios
y espero sentada a tu llamada
pero nunca llega
tal vez sea todo culpa de esa chica nueva
a la que ves
con ese rollo francés
nadie se lo cree
he esperado mucho para volverte a ver
y cuando te he visto me has dejado de querer
que pena mas grande la que me haces padecer
padecer
padecer
padecer
la que tu me haces padecer
No sé que hacer desde ayer y ahora
mi alma es de la textura de un bote de gel
No sé que hacer desde ayer y ahora
mi alma es de la textura de un bote de gel
Te apareces en mis sueños
dices que te debo algo
pero no lo creo
siempre me haces partícipe de todos tus juegos
yo solo quiero mirar al sol en el recreo
volver a ser una niña para sufrir menos
para no perder el tiempo con tanto lamento
escuchar la última canción
de mañaneo
he encendido una vela para que no te aparezcas
aunque dejo la luz encendida y la puerta abierta
no es que no te quiera
es que ahora me quiero yo
como dice bunny ahora soy peor
he encendido una vela para que no te aparezcas
aunque dejo la luz encendida y la puerta abierta
no es que no te quiera
es que ahora me quiero yo
como dice bunny ahora soy peor
Rolling with my ladies on the floor one blunt
singing baby baby drop that hoe
is the same old song
y tal vez
vuelva a ver
esa luz que reflejé
ya no me incitas
no me necesitas
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor
y mejor y mejor y mejor, y mejor, y mejor…
y mejor
EN:
lithium shines in the street
there's no one I'm going home
the traffic light shining
and the lights off
in the darkened room
my face freshly washed
I've taken off my lipstick
and I sit and wait for your call
but it never comes
maybe it's all the fault of that new girl
the one you see
with that French vibe
no one believes it
I've waited a long time to see you again
and when I've seen you you've stopped loving me
what a great sorrow that you make me suffer
suffer
suffer
suffer
that you make me suffer
I don't know what to do since yesterday and now
my soul is the texture of a jar of gel
I don't know what to do since yesterday and now
my soul is the texture of a jar of gel
You appear in my dreams
You say I owe you something
but I don't believe it
you always make me a part of all your games
I just want to look at the sun at playtime
to be a little girl again and suffer less
not to waste time with so much regret
to listen to the last song
at sunrise
I've lit a candle so you won't show up
although I leave the light on and the door open
it's not that I don't love you
it's that now I love me
as bunny says now I'm worse
I've lit a candle so you won't show up
although I leave the light on and the door open
it's not that I don't love you
it's that now I love me
as bunny says now I'm worse
Rolling with my ladies on the floor one blunt
singing baby baby drop that hoe
is the same old song
and maybe
I'll see again
that light that I reflected
you don't urge me on no more
you don't need me no more
and better
and better
and better
and better
and better
and better
and better
and better and better and better and better and better and better and better...
Rumba in the spirit of the retro ballroom orchestra of the 40s & 50s. ...Rumba in the spirit of the retro ballroom orchestra of the 40s & 50s. Deceptively exotic with a touch of nostalgia. Bouncy ending with pizzicato strings. Small ensemble with piano, violin & flute.
Neo-classical. Moving & elegant in a togetherness & resilience ...Neo-classical. Moving & elegant in a togetherness & resilience spirit. Fast piano arpeggio & delicate string quartet. Suggested for luxury advertising, period & cultural documentary, human & life stories.
Solo piano version. Neo-classical. Moving & elegant in a togetherness ...Solo piano version. Neo-classical. Moving & elegant in a togetherness spirit. Fast piano arpeggio. Suggested for corporate prestige & luxury advertising.
Melancholic but with tenderness & confidence. String orchestra, ...Melancholic but with tenderness & confidence. String orchestra, pizzicato, vibes & Latin percussion in a Spanish spirit.
Romantic, pleasant & dreamy waltz with a touch of nostalgia. Symphony ...Romantic, pleasant & dreamy waltz with a touch of nostalgia. Symphony orchestra.
단어 ... Salsa pop/timba with a reggaeton touch. Festive, dancing, joyful & ...Salsa pop/timba with a reggaeton touch. Festive, dancing, joyful & animated. Exotic & warm. Sung in Spanish. Male singer, brass & latin percussion. Suggested for Latin party & telenovella.
ES:
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
Te traigo el nuevo movimiento
Pa' que te lo aprendas
Que se te mueve todo el cuerpo
Y no paras ya
Es muy sencillo como ves
Con esto no te puedes perder
Cuando mi salsa está sonando
Se te mueven solos los pies
Ehhh otra vez
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
Y todo el mundo bailando,
con las manos para arriba
Y todo el mundo gozando,
con las manos para arriba
Y todo el mundo bailando,
así es como ando
Cuando la salsa boogaloo esta sonando
No me preguntes hasta donde ni hasta cuando
Esto no se acaba,
esto ahora esta empezando
Dale candela,
que se quema
Un dos tres,
pa' dentro y pa' fuera
Oye te cogió la vieja escuela
Pa' que lo bailes a la manera que tu quieras
La fiesta ya va a comenzar,
Prepárate la pista se pone caliente
cuando empiezo yo a cantar
Eh otra vez...
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
Y todo el mundo bailando,
con las manos para arriba
Y todo el mundo gozando,
con las manos para arriba
Y todo el mundo bailando,
con las manos para arriba
Y todo el mundo gozando,
con las manos para arriba
Un dos tres:
las mano' en la cadera
Un dos tres:
pa' dentro y pa' fuera
Un dos tres:
tremenda gozadera
Y de nuevo repite otra vez
EN:
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
I bring you the new move
So that you can learn it
That moves your whole body
And you can't stop now
It's very simple as you can see
With this you can't miss it
When my salsa is playing
And your feet move all by themselves
Ehhh again
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
And everybody dancing
with their hands up in the air
And everybody's enjoying,
With their hands up in the air
And everybody dancing,
That's how I go
When the salsa boogaloo is playing
Don't ask me how far or how long
It ain't over,
it's just getting started
Give it some fire,
that it's burning
One two three,
in and out
Hey, the old school got you
So that you can dance to it the way you want to
The party's about to start,
Get ready the dance floor gets hot
When I start singing
Hey again...
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
And everybody dancing
with their hands up in the air
And everybody's enjoying,
With their hands up in the air
And everybody dancing
with their hands up in the air
And everybody's enjoying,
With their hands up in the air
One two three:
The hand on the hip
One two three:
in and out
One two three:
tremendous fun
And now it repeats again
Instrumental. Salsa pop/timba with a reggaeton touch. Festive, ...Instrumental. Salsa pop/timba with a reggaeton touch. Festive, dancing, joyful & animated. Exotic & warm. Brass & latin percussion with cowbell.
Mix of mambo, hip hop & trap. Quikky, edgy, punctuated, both urban & ...Mix of mambo, hip hop & trap. Quikky, edgy, punctuated, both urban & exotic. Filtered introduction. Trumpets, tres, Latin percussion with conga, guiro & cowbell. Suggested for Latin party.
단어 ... Salsa shoke in a pop mood. Lively, upbeat, warm, exotic & danceable. ...Salsa shoke in a pop mood. Lively, upbeat, warm, exotic & danceable. Sung in Spanish. Male singer, brass, Latin percussion with clave, guiro, timbales, conga & bongo. Suggested for Latin party.
ES:
oye, miren quien volvió por aquí
me gustaría decir que sigo sintiendo lo mismo por ti pero ...
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
tu te fuiste lejos
dejándome solo
no importó
todo lo que yo te di
y ahora viene a decirme
that you were wrong to leave me alone
that you want to be with me again
Im so sorry for you
But you're not gonna play with my heart
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
ahora yo
me olvidé que un día te quise
atrás se quedaron los días grises
mira como estoy bailando
en vez de sufrir por ti
that you love me, that you love me
that I forgive you for the last time
I don't believe in your lies anymore
your game is over
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
se acabó
lo nuestro es pasado
no vengas a pedir perdón
que esto ya ha terminado
se acabó
me dijiste que te fuiste
porque se había acabado
se acabó
todo aquello que sentías por mi
ahora tienes el descaro
se acabó
de venir arrepentida
a decirme que te dé otra oportunidad
se acabó
pero lo siento baby
Im sorry good bye
esto ya ha terminado
EN:
hey, look who's back here
I'd like to say that I still feel the same way about you but...
it's over
it's in the past
don't come asking for forgiveness
it's over now
you went away
leaving me alone
it didn't matter
all that I gave to you
and now you come to tell me
that you were wrong to leave me alone
That you want to be with me again
Im so sorry for you
But you're not gonna play with my heart
it's over
it's in the past
don't come asking for forgiveness
it's over now
it's over
it's in the past
don't come asking for forgiveness
it's over now
now I forgot that one day I loved you
the gray days are behind me
look how I'm dancing instead of suffering for you that you love me, that you love me
that I forgive you for the last time
I don't believe in your lies anymore
your game is over
it's over
it's in the past
don't come asking for forgiveness
it's over now
it's over
it's in the past
don't come asking for forgiveness
it's over now
it's over
you told me that you left
because it was over
it's over
everything you felt for me
now you have the nerve
it's over
to come in regret
and tell me to give you another chance
it's over
But I'm sorry baby
Im sorry good bye
it's over now
Instrumental. Salsa shoke in a pop mood. Lively, upbeat, warm, exotic ...Instrumental. Salsa shoke in a pop mood. Lively, upbeat, warm, exotic & danceable. Brass, Latin percussion with clave, guiro, timbales, conga & bongo.
단어 ... Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & ...Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Sung in Spanish. Singer, brass, piano & Latin percussion with gonga, timables, guiro & cowbell. Suggested for Latin party.
ES:
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Oye caballero, lo que tiene esa negra es
Candela
Esa negra tiene
Mala la cintura
Quiere que la toque
Y me la lleve a la luna
Porque cuando ella mueve sus caderas
ya es un motivo de preocupación
Si sabe bien que estoy loco por ella
Y ella esta loca por bailar mi son
Pero no quiere que le digan nada
Cuando la ven llegando por la esquina
Porque ella sabe que es la mas buscada
Y yo soy el único que le gustó
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
A esa negra que bien la rumba se le da
Pero está pa' to'
Y no está pa' na'
Ay dios,
Esa negra quiere lo que tengo yo
Le gusta mi salsa, se que le gustó
Y mas cuando lo esta tocando Boogaloo
Se activa
Cuando ella baila se pone agresiva
Porque al que dios se lo dio
San Pedro se lo bendiga
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Esa negra
Tiene un movimiento que me mata
Es una cosa que le sube
Es una cosa que le baja
Es una cosa que le sube
Es una cosa que le baja
Camínalo !
Es una cosa que le sube
Es una cosa que le baja
Y yo y yo
Y yo la quiero tener pa' mi
De mi esa negra esta enamorada
Es una cosa que le sube
Es una cosa que le baja
Gústele a quien le guste
Yo me quedo con mi negra
Ay no me digan mas nada
Es una cosa que le sube
Es una cosa que le baja
Y pensaste que se acabó?
No no no no no no
Es una cosa que le sube
Es una cosa que le baja
EN:
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Hey gentleman, what that black woman has is
Fire
That black woman has
A bad waist
She wants me to touch her
And take her to the moon
Cause when she moves her hips
She's a cause for concern
If she knows well that I'm crazy about her
And she's crazy about dancing to my tune
But she doesn't want to be told anything
When you see her coming around the corner
Cause she knows she's the most wanted
And I'm the only one who she liked
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
That black girl is so good at dancing
But she's up for anything
And she's not up for nothing
Oh my God,
That black woman wants what I have
She likes my salsa, I know she does
And more when it's Boogaloo that's playing it
She gets active
When she dances she gets aggressive
Because to whom God gave it to
San Pedro will bless it
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
That black woman
Has got a move that kills me
It's a thing that goes up
It's a thing that goes down
It's a thing that goes up
It's a thing that goes down
Walk it!
It's a thing that goes up
It's a thing that goes down
And I and I
And I want to have her for me
That black woman is in love with me
It's a thing that goes up
It's a thing that goes down
No matter who likes it
I'll stay with my black girl
Oh don't tell me nothing else
It's a thing that goes up
It's a thing that goes down
And you thought it was over?
No no no no no no
It's a thing that goes up
It's a thing that goes down
Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, ...Instrumental. Salsa/rumba with a cubaton touch. Carefree, catchy, warm, exotic & danceable. Brass, piano & Latin percussion with gonga, timables, guiro & cowbell.
단어 ... Delicate, sentimental & intimate ballad-rock sung in Spanish. ...Delicate, sentimental & intimate ballad-rock sung in Spanish. Describing a romantic love scene. Male singer, mellotron, male choir & rock band. Lead electric guitar @ 1'55.
ES:
Tiéntame, es un momento mágico
solo quiero probar tus labios y rozar tu piel
tómame, en este ambiente cálido
condúceme al amanecer de tus deseos
Inmensidad, acércate hacia mi
fragilidad, no me dejes así
y bésame, quiero estar junto a ti
despertar entre tus brazos por una vez
Mírame soy así como me ves
no tengo nada más que ocultar ni que decir
siénteme, despréndete de ese temor
quizás es este instante y no después para los dos
Inmensidad, acércate hacia mi
fragilidad, no me dejes así
y bésame, quiero estar junto a ti
despertar entre tus brazos por una vez
Acércate hacia mi
no me dejes así
despertar entre tus brazos
EN:
Tempt me, it's a magic moment
I just want to taste your lips and touch your skin
take me, in this warm atmosphere
lead me to the dawn of your desires
Immensity, come closer to me
fragility, don't leave me like this
and kiss me, I want to be next to you
I want to wake up in your arms for once
Look at me I am as you see me
I have nothing more to hide or to say
feel me, let go of that fear
maybe it's this instant and not later for both of us
Immensity, come closer to me
fragility, don't leave me like this
and kiss me, I want to be with you
I want to wake up in your arms for once
Come closer to me
don't leave me like this
wake up in your arms
Delicate, restrained, likeable & tender. Break @ 0'54. Solo piano. ...Delicate, restrained, likeable & tender. Break @ 0'54. Solo piano. Suggested for family & children daytime TV & silent movie.
French jazzy ballad in the the style of 30's & 40's. Refined, easy ...French jazzy ballad in the the style of 30's & 40's. Refined, easy romantic & caring. Solo piano. Suggested for time off in Paris & children TV.
French jazzy ballad in the the style of 30's & 40's. Relaxed, in a ...French jazzy ballad in the the style of 30's & 40's. Relaxed, in a good mood, delicate & carefree. Solo piano. Suggested for Suggested for time off in Paris, wellness & children TV.
French, old-fashioned, precious & elegant style of the early 20th ...French, old-fashioned, precious & elegant style of the early 20th century. Cheerful @ 1'33. Solo piano. Suggested for historical documentary.
Bluesy & jazzy solo piano. Groovy, cool, edgy, syncopated & a bit ...Bluesy & jazzy solo piano. Groovy, cool, edgy, syncopated & a bit demanding. Emotional & serious @ 1'00.