Percussive intro with ethnic & asian cinematic percussion building-up ...Percussive intro with ethnic & asian cinematic percussion building-up gradually on a galloping & conquering rhythm. Dizi flute @ 1'42 & climax @ 2'21 in an epic & spiritual spirit. Suggested for chinese animation, east asia & dragon stories.
Wild, ancestral & mystical intro with dizi & ruan building-up with ...Wild, ancestral & mystical intro with dizi & ruan building-up with taiko & savage female voice. Determined, epic & conquering on a galloping rhythm. Like a conquering ride.
Determined, triumphant & heroic theme on a galloping pace. Shamisen, ...Determined, triumphant & heroic theme on a galloping pace. Shamisen, dizi flute & ruan. Build-up @ 1'39 in a victorious mood until climax. Like a horse ride...
Percussive & decided intro with taiko. Fiery male choir @ 0'40. Lead ...Percussive & decided intro with taiko. Fiery male choir @ 0'40. Lead erhu @ 1'03. Marching, imposing & majestic. Finale with brass @ 1'58 & climax. Hybrid orchestra. Suggested for martial arts, kung fu movies & fighting games.
Alternate without choir. Percussive & decided intro with taiko. Lead ...Alternate without choir. Percussive & decided intro with taiko. Lead erhu @ 1'03. Marching, imposing & majestic. Finale with brass @ 1'58 & climax. Hybrid orchestra. Suggested for martial arts, kung fu movies & fighting games.
Alternate without percussion. Percussive & decided with staccato ...Alternate without percussion. Percussive & decided with staccato strings. Courageous male choir @ 0'40. Lead erhu @ 1'03. Marching, imposing & majestic. Finale with brass @ 1'58 & climax. Hybrid orchestra. Suggested for martial arts, kung fu movies & fighting games.
Metal electro band / Hybrid metal. Ambient synth & bouncy beat intro ...Metal electro band / Hybrid metal. Ambient synth & bouncy beat intro building-up with pad & striking metal riff. Agressive guitar & fast drum. Synthwave build-up @ 1'36 in a driving mood. Dubstep @ 2'19 with heavy & acceleratic drums. Break @ 3'01 evolving to an impactful & chaotic finale. Computer games FX. For extreme sports, video games & esport / e-sport.
Instrumental hip hop trailer. Anticipating intro buiding-up with ...Instrumental hip hop trailer. Anticipating intro buiding-up with brass stabs, trap beat & cinematic percussion. Tense, mechanical & tough. Build-up @ 1'00 in a valiant & combative mood. Braam & riser. Fiery break @ 1'32 building-up until climax. Forceful finale & back end. Suggested for launch, sport & action movie.
Alternate without percussion. Instrumental hip hop trailer. ...Alternate without percussion. Instrumental hip hop trailer. Anticipating intro buiding-up with brass stabs. Tense, mechanical & tough. Build-up @ 1'00 in a valiant & combative mood. Fiery break @ 1'32 building-up until climax. Forceful finale & back end. Suggested for launches, sport & action movies.
Epic and propulsive track that reminds of conquering pirates and ...Epic and propulsive track that reminds of conquering pirates and battleships. Strings, percussion, horns.
Gli amori d'Apollo e di ...Gli amori d'Apollo e di Dafne: Lamento di Procri [CLA3020 - 7]
0
9'05
Francesco Cavalli
단어 ... Dramatic & sad. Then feisty. Lament. Aria. Small baroque music ...Dramatic & sad. Then feisty. Lament. Aria. Small baroque music ensemble & female soprano.
Volgi, deh volgi il piede Bellissimo assassin della mia fede. Dico rivolgi il piè O mancator, perché Dal tuo novello ed invocato ardore Non spero più, che tu rivolga il core. Sia pur la mia rival de sensi tuoi E di pensieri il punto ed il compasso, E lasci a me sol del tuo piede un passo.
Io son pur quella Procri, Che degli amori tuoi delitia fu. Lassa, io m’inganno, Io non son quella più.
O spergiuro infedele, Io nell’Aurora tua sospiro la mia sera, E vede il disperato mio desio Nell’altezza di lei l’abisso mio. E pur ancora io t’amo, Il tradimento, ohimè mi svena il core, E nel mio dispetto adoro il traditore. Così povero adunque è il Cielo di bellezze, Che cercano le Dee gli amanti in terra ? Ha penuria l’Olimpo d’amabili sembianze ? Né sa l’Aurora ritrovarsi amanti, S’alle mie calde innamorate voglie Le dolcezze non rubba, E‘l ben non toglie ?
Cefalo, torna a me, Io son colei, che tua diletta fu. Lassa, io m’inganno, Io non son quella più.
Ohimè la gelosia Mi stimola a bastemmie, ed a furori. Ma perch’è Diva l’alta mia rivale, Religione, e riverenza insieme Su‘l fondo al core i miei singulti preme. Ma‘l peggiore del mio non hà l’Inferno. Pon maledire i miseri dannati, Io traffitta ed ardente, e lacerata dal duol che passa le midolle l’osso Dannata son, e maledir non posso.
Cefalo riedi a me, Io son colei, ch’idolo tuo già fu. Lassa, io m’inganno, Io non son quella più.
Deh ricevete, o selve, Accettate, o deserti D’un pianto amaro il tacito tributo : Eccessivo è il dolor quand’egli è muto. TRADUCTION :
Reviens, reviens donc sur tes pas Superbe assassin de ma confiance. Reviens sur tes pas – je dis- ô Traître Parce que de ta nouvelle et réclamée ardeur Je ne souhaite plus que tu détournes ton cœur. Que ma rivale soit ainsi de tes émois Et de tes pensées le centre et le compas, Qu’elle me concède de ton pied seulement un pas.
Je suis toujours Procris, De tes amours l’ancienne délectation. Hélas, je me méprends, Je ne le suis plus.
Ô parjure infidèle, Vers ton Aurore je soupire au crépuscule, Et mon désir désespéré observe Dans son élévation mon abîme. Pourtant je t’aime encore, Ta trahison, hélas fait saigner mon cœur, Et dans mon dépit j’aime celui qui me trahit. Le Ciel est-il donc si pauvre en beauté, Que les Déesses cherchent leurs amants sur terre ? L’Olympe manque-t-il d’aimables semblances ? L’Aurore ne sait-elle pas se trouver des amants, Sans de mes ardents désirs d’amour Détourner les douceurs Et usurper le bonheur ?
Céphale, reviens-moi, Je suis celle que tu aimais. Hélas, je me méprends, Je ne le suis plus.
Hélas, la jalousie Me pousse à l’impiété et me rend furieuse. Parce que Déesse est ma rivale, Religion et déférence à la fois Etouffent ma voix au fond de mon cœur. En enfer, il n’existe pas un mal pire que le mien. Les malheureux damnés peuvent maudire Tandis que moi, affligée, enflammée et lacérée Par la douleur qui me transperce, Je suis damnée, mais je ne peux maudire.
Céphale reviens-moi, Je suis celle qui fut ton idole. Hélas, je me méprends, Je ne le suis plus.
Voici, recevez, ô forêts, Acceptez, ô déserts L’aumône silencieuse de mes pleurs amers : Trop grande est la douleur quand elle est muette.
Mambo in the spirit of the 50's & 60's. Lively, festive & joyful. ...Mambo in the spirit of the 50's & 60's. Lively, festive & joyful. Brass section feat lead trumpet & latin percussion ensemble.
Alternate without trumpet. Mambo in the spirit of the 50's & 60's. ...Alternate without trumpet. Mambo in the spirit of the 50's & 60's. Lively, festive & joyful. rhythmic & latin percussion ensemble.
Alternate solo piano version in a fugato mood. Joyful, bouncy, naive ...Alternate solo piano version in a fugato mood. Joyful, bouncy, naive & narrative. Symphony orchestra.