단어 ... Folk ballad. Tender & inspired. Female singer, picking & slide ...Folk ballad. Tender & inspired. Female singer, picking & slide acoustic guitar, mandolin & electric bass.
Let my eyes keep on roamingAs you look the other wayIn the end you know I’m not goingSo we’ll just stay the same Straight past me and straight aheadAs you tell me what you think I needYou haven’t heard a word I’ve saidJust rehearsed lines that you feed me Stay with me in silence I’m trying to tell you what I’m missingAs you tell me nothing is wrongBut how can you see when you don’t listenLook ahead and move along Stay with me in silenceStay with me, but leave me in silence
Popular Guarani style from Iguazu, at the crossroads of Paraguay, ...Popular Guarani style from Iguazu, at the crossroads of Paraguay, Argentina & Brazil. Ethnic & mysterious. Charango, Spanish guitar, siku (Indian flutes) & erke @ 1'38.
Rock ballad, hip-hop rock fusion. Acoustic guitar intro with shaker & ...Rock ballad, hip-hop rock fusion. Acoustic guitar intro with shaker & claps, resolute & serene. Rock band with hip-hop beat.
단어 ... Traditional song from the Caribbean region of Colombia, sung in ...Traditional song from the Caribbean region of Colombia, sung in Spanish. Rootsy cumbia, emotional & rural. Female singer, Latin percussion, Spanish guitar, choir, claps & tiple @ 2'15.
Azúca me llamo yo,Azúca me llamo yo,Azúca me puso el padre, cuando me metio la sal. Azúca me llamo yo, (Azúca)Azúca me llamo yo, (Azúca)Azúca la refina, (Azúca)Azúca, azúca será, (Azúca)Azúca me han de llama, (Azúca)Azúca, azúca será, (Azúca) Azúca, Azúca.El loro y la lora estaban loriando,El loro y la lora estaban loriando,Y yo por la reja estaba mirandoY yo por la reja estaba mirandoEl loro comiendo y yo trabajandoEl loro comiendo y yo trabajandoTrabaja compañero, trabaja. (Azúca)Trabaja voca arriba trabaja. (Azúca)Trabaja medio lado trabaja. Con que se mantiene, con la flor del verano.Con que se mantiene, con la flor del verano.Trabaja compañero, trabaja.Trabaja medio lado trabaja.Trabaja voca arriba trabaja.Trabaja voca arriba trabaja. Azúca me llamo yo, (Azúca)Azúca me llamo yo, (Azúca)Azúca me puso el padre, (Azúca)Cuando me metio la sal, (Azúca) Azúca me llamo yo, (Azúca)Azúca me llamo yo, (Azúca)Azúca la refina, (Azúca)Azúca me han de llama, (Azúca)Azúca, azúca será, (Azúca) Mentira ha sido tu amorMentira ha sido tu amorFalso fue tu juramento, hojas que se lleva el viento.Mentira ha sido tu amorMentira ha sido tu amorFalso fue tu juramento, hojas que se lleva el viento. Azúca, Ay con que se mantieneAzúca, Con la flor del veranoAzúca, ay me han de llamar, cuando me metio la sal.
Aida traditional arrangement Bossa - Oliver Angel traditional arrangement Camargo May - Orlando Eduardo traditional arrangement Donado González - José Carlos traditional arrangement María Ortega
Author(s) :
Traditional
라벨 코드 :
10347
앨범 :
Latin Songs: In a Traditional Mood
출시일 :
01/04/2020
가 연주한 :
Aida Bossa
발행인 :
Frederic Leibovitz Editeur - Mantarraya Music
ISRC :
FRZPA2006760
Azúcar - El Loro y la Lora ...Azúcar - El Loro y la Lora Alternate [CEL7001 - 12]
Underscore. Traditional from the Caribbean region of Colombia. Rootsy ...Underscore. Traditional from the Caribbean region of Colombia. Rootsy cumbia, emotional & rural. Spanish Guitar, latin percussion, choir, claps & tiple @ 2'10.
Aida traditional arrangement Bossa - Oliver Angel traditional arrangement Camargo May - Orlando Eduardo traditional arrangement Donado González - José Carlos traditional arrangement María Ortega
단어 ... Rock ballad. Carefree & relaxed. Female singer, electric & folk ...Rock ballad. Carefree & relaxed. Female singer, electric & folk guitars & rhythm.
Is there out there stillLife on the streetsAnd hearts still beatingIn the city?Or are there only eyesThat burn with fearAnd tears that searDown the faces of the dead?Seems to me we lost them long agoThere’s too much painNot much pityGot to get these tombstonesOff my brainHere and nowNot in the fucking ever after. FR: Est-ce que dehors il y a encoreDe la vie dans les ruesEt des coeurs qui battentDans la ville?Ou n'y a t'il que des yeuxQui brûlent appeurésEt des larmes qui brûlentEn coulant les visages des mortsIl me semble que nous les avons perdus il y a longtempsIl y a trop de douleurPeu de pitiéIl faut que je chasse ces pierres tombalesEe mon espritIci et maintenantPas dans ce putain de lendemain
Jumping a freught train & pretending to be Jack Kerouac... United ...Jumping a freught train & pretending to be Jack Kerouac... United States. Harmonica, Piano, guitars & rhythm...
Peaceful, contemplative & dreamy. Acoustic guitars, taiko & sanxian. ...Peaceful, contemplative & dreamy. Acoustic guitars, taiko & sanxian. Suggested for Chinese way of life & Chinese Cityscapes.
단어 ... Upbeat country & western love song about love betrayed. Male singer, ...Upbeat country & western love song about love betrayed. Male singer, rhythm section, pedal steel & electric guitar lead @ 1'20.
FOOL # 1
CHORUS Am I fool number 1 Or am I fool number 2 Tell me how many fools have been fooled by you Now that it’s over, tell me the truth If you’re the queen of heartaches, Am I your number 1 fool?
VERSE I spent so much time gettin’ hurt in this race I don’t want to end up in second place
CHORUS Am I fool number one Or am I fool number two Tell me how many fools have been fooled by you Now that it’s over, tell me the truth If you’re the queen of heartaches, Am I your number one fool?
Instrumental break
VERSE Set ‘em up Joe, and we’ll knock ‘em on down To the potential number one fool in town
CHORUS Am I fool number one Or am I fool number two Tell me how many fools have been fooled by you Now that it’s over, tell me the truth If you’re the queen of heartaches, Am I your number one fool? If you’re the queen of heartaches, Am I the number one fool?
Underscore. Upbeat country & western typical cue..Rhythm section, ...Underscore. Upbeat country & western typical cue..Rhythm section, pedal steel & electric guitar lead @ 1'20.
